Designing with Nature Creates the Music of the Garden

Whenever I start talking about landscaping with nature people start to get all squeamish and think “Oh no…another weedy looking woodland garden. Don’t get me wrong, I love a good woodland garden. Real ones hardly even require planting. What I am talking about is using nature as your guide in design. I have been designing landscapes for over 20 years now, and the last five I have been blessed to do most of my work in the nature of the Southern Appalachians. However, before that I spent fifteen years designing several hundred gardens in the heart of the city and the heat and cold of the Midwest. Even in the most unnatural of places I learned that the more you emulate nature, the more beautiful things will be and the easier they will be to take care of. After all, nature is beautiful and it does a good job of taking care of itself if we don’t screw it up.
There are some key things that nature does itself that when you look at the greatest of landscapes you will always find. I could never squeeze everything into one post, but there are some key things that if approached from the outset will make the rest fall in place. If we take nature’s lead on how it designs and plants its gardens we are bound to succeed and it is bound to be beautiful. What I will explore are the main aspects of landscapes, how nature creates them and how we can emulate them.
The first thing that nature lays out in a landscape is the flow. To understand this we have to understand that in nature and in the landscape it is the water that determines flow. Where the water goes in nature so does the wildlife. The migratory patterns of the birds and the animals are all tied to the water and their need to get to it. In the garden it is people that flow, as well as the birds and animals that visit…including our dogs. I like to make my paths and walking areas follow the drainage in the garden. In high traffic areas I will make stone paths or place stepping stones inter-planted with “steppable” plants or ground covers. In open areas, if I have grass at all, I will take water across it as well. As water creates the valleys and flat areas in nature, doing this in the garden serves the aesthetic need of making the garden look like it was meant to be there.
As for the animals in the landscape people tend to take the easiest possible path, and so does water. From a practical standpoint, the water won’t washout your beds or puddle and breed mosquitoes. It will create moisture along the paths were smaller plants that require more water go, and it will dry out other areas for evergreens and shrubs that are more sensitive to water. Animal migration can also create flow in nature and the garden. The two most prominent animals in your landscape are dogs and mailmen. Dogs are like the deer and other animals in the landscape that create migration paths that don’t follow the water. If I have a dog in a landscape, I will always leave a little maintenance path behind shrubs along a fence. This allows them to patrol their landscape and creates airflow behind the shrubs so they don’t die out on one side. With a privacy fence I also like to leave a small strip of lattice along the bottom to let them see out and increase air flow. As for mailmen, I can’t remember the last time I did an urban landscape that didn’t have a path for them to go door to door. Not only does it keep them from trampling the plants, but it gives an excuse to pull down the height of a house with the plantings without adding so many plants it looks unnatural.
Nature has two main types of scenery that you encounter, and so does any good landscape. Olmstead called these the pastoral and the picturesque. The pastoral are the wide open sceneries that allow you to get lost in the sunset and your mind to escape. It brings out the grandness of the landscape. In urban setting everything is usually boxed in and strictly defined by property lines. These pastoral scenes don’t often occur naturally so you have to lead the eye to them. The easiest way to do this is use tall things closer to your gathering areas to screen the neighbors beside you and taper down your heights to the corner where you can see the furthest. Always make sure that what is in that corner is shorter than what is just behind it outside of your yard and this will lift your eye back up and create that escape. The tapering of heights to the furthest point will also create a sense of perspective making your space seem larger than it is.

The picturesque are those scenes where your eye gets stuck and you are looking at a space like a framed picture that creates a scene. In nature this may be a giant boulder you walk up to on a hike. You get stopped in your tracks then totally engrossed in the lichens, ferns and wild flowers growing from its cracks. Its becomes like an entirely different world to explore inside of another. The same can happen in your garden by planting in the cracks of a wall or having a collections of planters or a piece of art on a fence. Even a planter next to your door where that gutter makes it hard to grow anything else can have the same effect. One thing to be sure of is to repeat the elements in that planter in the landscape around it. By splashing a few of the impatiens in the pot on the ground around it, it will tie it into the rest of the landscape. It will be just like the ferns that grow on that rock that also grow on the ground around it and lead you down the trail and on into the forest.
Plant diversity is crucial to any healthy natural environment and also any good garden or landscape. Diversity comes in many forms. What I am going to focus on here is the layers of a landscape and how they are dispersed. Nature creates this diversity and uses the plants to care for the space and the animals in it. So should you. I like to relate the levels of the landscape to music. Good music has always found its roots in the rhythms of nature and so does any good art, especially a natural one like landscape.
These rhythms come it two forms. The first rhythm can be found in the layers. Nature, good gardens and great music all have an upper, middle and lower range. In nature this is made up of the trees, shrubs, and herbaceous plants. Neither nature nor a garden is in its complete form without all of these. The trees provide the canopy and determine the amount of light and moisture hitting the ground, soil type and everything that will grow below it. The trees create the homes for the animals and the home for everything below it. Think of them as the ceiling and walls of a room. Just like nature does, when designing plantings you should always start with the trees because they determine everything else.

The mid range is the shrub layer, and can also include smaller flowering trees. They provide food for most of the wildlife. They also also create the depth of the landscape, just like midrange creates depth in music. The shrub layer will do the most to take care of space for you just like it does in nature. When you come across an thicket of huckleberry in the woods, it always looks perfectly groomed and placed as though it has been meticulously pruned even though man has never touched it. Besides creating depth in terms of space and layers they also create new spaces to discover behind and around them providing for a sense of discovery and surprise. This layer is not only rich in space creation. It is rich in performance as well because these plants provide elaborate flower, berry , fall color and bark shows that create a tapestry of their own. Not only do they provide the most fodder aesthetically, they also do the most to feed the birds and other wildlife.
The low range is the final layer. In music it is the base that rolls along, providing the rhythm for everything else and fills the voids of the down times. In plantings it is the herbaceous layer. I would hardly consider a tuba or tympani to be similar to a Hosta or Astilbe, but they are. If played properly they both are a delicate presence in the back ground that emerge and steal the show when everything else is down. In the garden and nature the perennials quietly hold the ground while the mid range shows off all spring, then they tactfully take their turns showing off their color as the flowers of spring fade away. Then they roll into a crescendo heading into fall only to step aside for the finale of the trees with fall color. They are the fabric that holds the ground in place and takes care of the space for you. Then they give you that little extra right when you need it.
Along with the layers all good music, nature , and gardens have rhythm. The patterns in all great music, art and gardens can all be traced to those of nature. The arts and particularly music really exploded in the last century when people stopped trying to create things just for the sake of creating them and started looking for inner meaning. The rhythms of jazz embody this and the greatest artistic nod to nature of all has to be syncopation. When gardeners realize that everything doesn’t have to spaced in 4/4 (formally and perfectly symmetrical) that is when their lives get easier, and much richer. Trying to make a garden embody a rigid structure is like trying to make a marching band embody dance. It is next to impossible and everything has to be completely lined up all the time. It is even worse in a garden because it is even harder to make a plant do what you want than a teenager.
Plants need to be spaced to move you through the garden like the rhythm in music. Then they will move you through the garden like music moves your feet. Syncopate it…Put the weight of plants in one place to provide structure where you need it, but then repeat it tapering off in the direction you want the eye to move. If you plant five in one place, plant three a little bit over from there and maybe more even a little further over. This is how nature does it and it will intrinsically add depth to the aesthetics of your garden, and the movement to keep it interesting.
Nature doesn’t plant in intertwining plant sausages so why should be. Think of the sausage method like the landscape at McDonald’s, it may be showy, but it has about as much depth as the food they are trying to sell. I would much rather sit down to four hours of French cuisine with depth and rhythm that feeds my soul as well as my body. Nature doesn’t plant its flowers in blocks of 300 only to be ripped out and replaced three times a year. It plants them where the weeds would grow to take care of the space so they can dance with one other and the other plants in the forest to provide the richest show possible. Out of the symbiotic relationships the ecosystem creates to grow emerges an equally complex combination of outright beauty.
I could go into many other areas where nature is the best guide. You could use materials that are native to your region. Be it plant or rocks this always provides a sense of cohesiveness. There are all kinds of great cues to follow when using water in the garden. However, what I wanted to do here was help you learn to take your cues from the world around you. Draw from not only from what makes nature beautiful, but what makes it work, and let it guide you in your own garden or artistic endeavors. We have to quit creating gardens for the sake for feeding them, and start creating them to feed our souls and the world around us. Most importantly when nature has created them for us, we need to quit screwing them up.




During the average growing season, most established plants can use no more than one inch of water per week. To be able to stick to this you need to make sure that all of the soil in and around the planting area has a deep base of adequate moisture. If it does, as the soil dries out immediately around a newly planted plant moisture will move from the surrounding soil to the soil in the hole through osmosis. If you plant a plant into to an area where all of the surrounding soil is dry, when you water all of the moisture will move the other way and you won’t be able to retain moisture around the plant. Whenever you are going to be planting an area, you should always water the entire area thoroughly. Think of it as getting the nursery ready for that newborn you are about to bring home. In the end it save you several trips to the store (or in this case hose).

Winter Watering isn’t something people usually think about. However a plant has more of a chance of dying in winter from a lack of water than it does in summer. The water that fills the tissue of a plant’s trunk and branches is actually what protects it from extreme freezing temperatures. When matter freezes it expands. When the cells of a plant expand, the gases inside can expand more than the tissue itself and cause the cells to explode. If the cells are filled with water it displaces those gases and keeps them from expanding too far. If a plant freezes when it is dry, it can literally freeze-dry the plant, making it impossible for the cells to retain water again. The best way to prevent this is to actually water in the fall or early winter before the ground freezes.
The main thing to remember when watering is the more frequent and less deep you water the more often you will have to water. The sooner you learn what your plants really the need, the less you will have to give them, and the less they will eventually need. To some extent, your plants can be taught to live with your schedule, and the sooner you teach them to the better off you both will be. Think of that deep watering you give your plants a couple times this winter as that Sunday afternoon pot roast or chicken and dumplings you make for your family on a cold winter day. It will keep their little cells warm on those cold winter days, and help built the muscles they need get through the summer ahead. It is also like the hearty soup that allows them to pull in all those nutrients from the soil below to fight off disease and stress. Think of watering you plants as caring for someone you love…and they’ll be sure and love you back. Plants are like people, so don’t treat them like a hardwood floor.
Castanaea dentata (American Chestnut): This tree is one of the most known stories of eco-catastrophe in our countries history. The Chestnut was the most coveted of all lumbers in the early part of the 1900’s. As a result was the clear-cutting of almost all of the Southern Appalachians. The practices were horrid, and reminiscent of a scene from a slaughter house, but of trees. Lumber that wasn’t seen as fit to mill was left in place leaving entire mountains looking like salvage yards. Stumps were left in place, and all of the ground vegetation was smothered under the debris. Erosion was rampant, and as a result these wastelands became a breeding ground for what would become the Chestnut blight. Species such as the black bear were almost completely lost, deer populations dissipated, and without the nuts to forage or forest to find protection from hunters Elk eventually disappeared.
Ulmus americana (American Elm): In the first half of the 1900’s this tree was the most common street tree in the United States. It’s arching branches formed cathedral ceilings over almost every street in every city. It become an icon of American urbanism and the America Beautiful movement. It fell victim not to greed of harvesting, or destruction of its environment, because this tree grew anywhere. Rather it fell victim to careless breeding and commercialization that weakened the species. While Chinese and European varieties were being imported for breeding to create fancy bark or brighter fall color, no one realized that they were weakening the species and importing a deadly disease that would bring the native species to its knees.
Pinus palustris (Longleaf Pine / Southern Yellow Pine): The Longleaf pine was on of the signature trees of Southeast coastal regions. This tree is very unique in that for the first eight years of its life it grows like a fireproof grass with no trunk elongation. Then it shoots up and it sensitive to burns, but once it reaches about 10′ it becomes fire proof again and soars to heights of up to 100′. This burning process is crucial to its reproduction and the culling of healthy forests. The lush wild look this process creates was the image that was burned into the minds of explorers when the new world was being discovered. The unique habit created by the juvenile plants provide habitat to all sorts of foul and wildlife and as their habitat has become endangered so have some of them. Red-cockaded woodpeckers and indigo snakes are most at risk, but tourtouses are in line right behind them.
Quercus virginiana (Southern Live Oak): Yes, this tree is the one we have embedded in our heads from movies like Gone With the Wind, and every other great southern movie or novel. As we see them in all the urban settings and plantation gardens you would not think something this majestic could be in any sort of danger. The Spanish soss and fern growing on its branches make it look as thought this species is drooping from the weight or its virility. However, in its native habitat it is almost gone. The boggy soil and forests of the deltas where it thrived have mostly been drained for drilling, sugar cane, and development. These trees made up the buffers that used to protect New Orleans from the onslaught of hurricanes. There ability to be uprooted and fall apart but continue to grow in the loamy soil that was once its home was the constant stability that held the delta together. Now their native habitat is down to a few remaining national and state controlled forests. Of course other species have been impacted, but the most famous impact was the damage from Katrina that was exasperated without the natural buffers these trees created to protect it.
Tsuga hetrophylla (Western Hemlock) & Tsuga caroliniana (Carolina Hemlock): Both of these trees have suffered similar fates. Both are the victims of over logging. Unfortunately both were thought to be invincible as they grew like the Red Cedars of the Midwest on either coast. In the East the Carolina Hemlock was hardly ever used for lumber, They were usually casualties of careless Chestnut and Oak harvest and turned into pulp or used for fuel. By the time the species was decimated people had realized it was a beautiful lumber and turned to the bountiful west coast for the Western Hemlock in its place. Neither were able to come back as fast as they were being harvested and as a result the faster growing Tsuga canadensis (Canadian Hemlock) and various Pines have taken their respective places.
Picea sitchensis(Sitka Spruce): Another victim of logging, this species is also succumbing to the woolly adelgid. One of the more tragic consequences of this parable is that this tree is the home to the endangered Spotted Owl. When the fight over protecting the owl versus the right to harvest came to a head the harvest rate increased dramatically as it turned into a race to see how much people could harvest as while they still could. As timber containing adelgid infested lumber moves up and down the highways it just spreads it even more. In the end both the owl and the loggers are losing out as they are losing the tree they both covet so much.
Thuja plicata Western Red Cedar: This tree has been devastated in its native habitat due to logging for pulp. However, it is thriving and making a surge in cultivation. As the Hemlocks and Junipers used in landscapes have become more problematic and disease prone, this tree grows with relative ease. It struggles to outpace the pines that are moving into the native habitat because the Pines grow larger and shade them out. While in the landscape people are finding this to be a great native alternative to give the feel of a Canadian Hemlock without the adelgids or chemicals to keep the bugs at bay. However do to massive logging its natural disbursement patterns have been disrupted permanently and it may never be able to reestablish itself against the more aggressive species taking it’s place.





Betula (Birch): Betula nigra (River Birch) is probably the most common. There are several varieties of the species including ‘heritage’. All have the indicative papery tan exfoliating bark. They also are usually multi-trunked with a few large leaders reaching for the warmth of the sun and small horizontal branches wisping out from the sides . The vertical structure of the trunk makes it move in the wind and provides a nice contrast to the broad, heavy and horizontal branching of Spruce and Pine. My favorite Birch is actually Betula populfolia ‘Whitespire” (Japanese Whitespire Birch). It is a white or “paper” barked variety that has proven to be borer resistant. The parent plant is now almost seventy-years old and remains borer free.
Cornus sericea (Red Twig Dogwood): This is one of the few shrubs with colorful bark in the winter. It is also native to much of the United States. This plant has a bright red twig in winter that can be seen from a distance but isn’t overpowering. The vertical branching habit makes it feel more like a grass or thicket plant than a shrub, but the fullness makes it work well for a border or foundation plant. The plants are a lush green in summer with a nice white flower and prolific white berries birds love. Along with this you must include Cornus alba (Variegated Red Twig Dogwood). It is very similar to Conus sericea, except it has a variegated leaf. This species can be prone to anthracnose but the variety Cornus alba “Ivory Halo” seems to be disease resistant, and keeps a more compact form than other varieties.
Hydrangea quercifolia (Oakleaf Hydrangea), and Hydrangea anomala var. petiolaris (Climbing Hydrangea): Both of these plants have a birch like bark that is exquisite in winter. The Oakleaf Hydrangea looks great against evergreens or lawns, and another interesting feature is that if you leave the flowers on they will dry in place all winter. This almost makes it look like it is in bloom. Climbing Hydrangea is wonderful on a fence, and especially brick walls. The bark really pops out against brick. It also has a very fibrous attaching root that give it an almost Gothic feel compared to other vines. It is also a self attaching vine with makes it even nicer.
Physocarpus opulifolius (Ninebark): There are two predominate varieties of this plant ‘Diablo’, a purple leaved variety, and ‘Dart’s Gold’a yellowish leaved variety. Both have a Birch like texture in winter. If left alone they grow very vertical and develop a thick trunk like structure. They seem to max out around six feet in height and four feet in width. This makes them great to tuck behind low growing evergreens and if left natural will look almost like a very small Birch. Ninebarks are extremely hardy, fairly fast growing, and drought tolerant.
Acer palmatum ‘Sangu Kaku’ (Coral Bark Maple): This plant his a vivid pinkish coral bark in winter. It can almost take on an orangish tone. The tree itself is very delicate and rarely exceeds twelve feet in height. It has a ferny maple leaf and wispy texture. It does not develop the distinguished branching habit that other Japanese Maples do, so it does look good as a stand alone specimen. However, it is fantastic tucked into evergreens or against a foundation. The only downfall to this plant is that it is prone to winter kill. Winter watering will cut down on this, but expect it to develop some dead wood in winter that will need to be removed in the spring.
Lagerstoemia indica (Crepe Myrtle): There are dozens of varieties of this plant in production. It comes in all sorts of colors and sizes. The trunks are usually clumped and have a blotchy exfoliating bark, rather than papery bark like a birch. Many people think of them as trashy because they drop flowers and seed pods constantly and sucker which makes them require pruning to keep nice trunks. Regardless, with all of that, it sure looks good most of the time and especially with its late summer bloom and winter bark. Both features shine at times when other plants are lackluster. On top of that it can survive the abuse of just about any parking lot in the south.
Acer griseum (Paper Bark Maple): This is a very underused and overlooked tree. It averages about 25-30 feet in height, so it can be used for shade on a patio, a specimen in the lawn without killing out the grass, or as an ornamental in a foundation planting. It is not overly showy. It doesn’t have an amazing flower or incredible fall color, but it is classy. The fall color is nice, and the foliage is very clean and green in the summer, but this plant is sought for the bark. It is a favorite of collectors. Sometimes I compare plant collectors to book collectors. If I were to compare it to a book you just had to have on your shelf it would be Catcher in The Rye. It is not a huge tree, but does she rextremely well written, reliable as a recommendation, full of inspiration and bound to create memories.
Platanus x acerifolia (London Plane Tree) and Platanus occidentalis (American Sycamore): These are two of the great majestic trees of urban parks everywhere. They are messy, and drop limbs, leaves, and seeds all of the time, but the mess is worth it. They are extremely hardy, pollution and drought tolerant, and capable of living in swamps. There is not much this plant can’t take, but what it gives is irreplaceable. The bark of the London Planetree exfoliates on the lower portions of the trunk. The American Sycamore is reversed and exfoliates on the upper trunk and branches. Both create very tall and open canopies making them ideal for street trees. As their branches cross the road they create the feeling of a nave. Given the space of a park, where they can be 100 feet from the next tree, they can form a cathedral unto themselves with branches hanging all the way to the ground 60-80′ wide. When it comes to habit, they can rival the grandest of any Oak, but what makes them stand our is that glorious white of the bark exploding in winter.
It’s that time of year again. I’ve cleaned out the tube bird feeders, hung a couple new suet feeders, and I have already had on ripped down by the bear. I always like to wait until winter is really coming to start feeding. Primarily because I like to let the birds “Free Range” on wild flower seeds and the summer fruits and berries in the garden. I like the thought of them helping with the natural cycle of scarifying and dispersing the seeds the way nature intended. I also like not having the bears visit everyday, especially with my daughter playing outside by herself all summer. This is a luxury we have living on a rural mountainside that we didn’t have on an urban street corner. Not that the bears are the threat that some of our neighbors were. They are more akin to urban raccoons that scavenge their way around on garbage day and pilfer your bird feeders.
Pinus (Pine): There are dozens of native pines that make great trees for birds. Pinus Strobus (Eastern White Pine) is the most commonly planted in the United States, but for smaller varieties in residential gardens some other native options include Pinus aristata (Bristlecone Pine), Pinus banksiana (Jack Pine), Pinus Bugeana (Lacebark Pine), Pinus Resinosa (Red Pine), and Pinus monophylla (Pinyon Pine). These pines are all more moderate in size than the White Pine, but still maintain a natural feel in a formal landscape. This makes them ideal for urban or residential situations.
Juniperus (Juniper): Juniperus communis (Common Juniper), Juniperus monosperma (Oneseed Juniper), Juniperus occidentalis (Western Juniper), Juniperus scopularum (Rocky Mountain Juniper) and Juniperus virginiana (Eastern Red Cedar) are the most common native varieties in the continental United States. Between these five you can find a native Juniper almost anywhere in North America. All of these varieties have been cultivated into varieties for landscape use that can be safely used without worrying about reseeding invasive offspring. If seed stock does emerge it will come out as one of the native varieties. There are some hybridized varieties that could revert to something else, so if trying to stay native stick to cultivated or native varieties only.
Viburnums: Viburnums are a favorite of landscape designers because they are extremely hardy They also produce nice flowers, foliage and berries and provide some great fall color. Some are even evergreen, and the flowers are often extremely fragrant. However, they are usually somewhat of an unknown to beginning gardeners or casual retail nursery shoppers. Native species include Viburnum dentatum (Chicago Luster Viburnum), Viburnum prunifolium (Blackhaw Viburnum), Viburnum rufidulum (Rusty Blackhaw Viburnum), and Viburnum trilobum (American Cranberry Viburnum), All of these plants have abundant flowers and berries and can be kept as large shrubs or small trees in any landscape. The birds love them for the berries and their height is achieved with fairly small horizontal branches that are great for perching but don’t hold the weight of predators making them a nice place for birds to hang out. There are also many cultivated and hybridized non-native varieties that are not invasive. If for some reason a native option doesn’t work for you, I would not hesitate to explore those options.
Cornus (Dogwood): Everyone thinks of Dogwoods as the spring flowering tree, however they also come in some naturalizing and shrub forms as well. Cornus florida (Flowering Dogwood) is a sentimental favorite for gardeners with the pink and white flowers at Easterand red berries in the fall. However Cornus racemosa (Gray Dogwood) makes a great naturalizing thicket of about 12-15 feet and produces a nice white flower in May and June and a waxy white berry birds love. Other varieties include Cornus alternifolia (Pagoda Dogwood), Cornus drummundii (Rough-leaved Dogwood), Cornus nuttallii (Pacific Dogwood), and Cornus sericea (Red Twig Dogwood). The Rough-leaved and Red Twig Dogwoods provide a shrub form and the red twigs provide great winter interest. All of these plants have wonderful landscape value, as well as make great naturalizers. They all have reliable berries for the birds, provide nesting habitat, and add aesthetic value to add to any garden.
Prunus (Cherry): The Prunus (Cherry) family covers more than the cherries we eat or the flowering trees we see in spring. There several shrub forms and not as showy trees that can add subtle accents to the landscape, as well as habitat and fodder for birds. Prunus virginiana (Chokecherry) comes in several forms and varieties and is a great alternative to some of the hybrid and grafted tree-form varieties. Prunus caroliniana (Carolina Cherrylaurel) and its Asian counterpart Prunus lauroceasus (Cherry Laurel) make great evergreen shrubs, providing both protection and berries as well as a nice evergreen foliage for the landscape. Prunuis subhirtella (Weeping cherry) is a nice pink flowering native that drops small berries mid summer. Prunus besseyi (Sand Cherry) is a great naturalizing shrub with small white flowers and black berries that are low enough to provide fodder for foraging birds like pheasant and turkey. Finally, Prunus americana (Wild Plum) is probably one of the most common fruit bearing trees and can be found in almost all states east of the Rockies. Of course there are other varieties as well, but as a family, Prunus may provide more food for the birds this continent than any other plant family.
Such a big word sustainability is. Everyone is trying to define it. Everyone says they can provide it, and most think it is something you create or buy rather than something that you do indefinitely. For the last five years I worked in sustainable development. I raced everyday to repair the forest’s edge and to get the wild flowers to grow before some salesman decided “sustainability” didn’t sell. I fought for the budgets and screamed on behalf of the trees and the workers who protected and cared for them. Well for something to be sustainable it cannot be a race, or a competition it has to be a collaborative effort from the bottom up. To use a dirty word, it is community organizing with nature as a full fledged participant. Sustain is a verb and you can’t turn it into a noun by claiming to give it ability and using it as something to be sold or proffited from. It is an effort, behavior, and way of life that for it to be successful requires participation of everone involved and recognition of everything involved. It has to be adaptable and evolutionary just like nature, because if any part of the system changes it impacts the whole.
I have always said that the difference between a garden and a landscape is that the garden requires a gardener. A landscape may not require a gardener, but it does require a steward. This is the paradox of the sustainable landscape. Once nature is disrupted it can no longer be sustainable (self-sustaining) in the truest sense. It has to be sustained unless it can be returned to the natural state. Once you have destroyed the natural cycles, nature can never completely return to what it was. All we can do is create a new eco-system, and help it get to where it can thrive on its own. Hopefully we can do it in a way that won’t disrupt the lifecycle of surrounding ecosystems and set it in another wrong course. The bottom line in all of this is once we have broken it we own it. We suddenly have to maintain it or repair it in a way that it can maintian itself. Suddenly sustainability is no longer about sustaining the beauty around us, but rather a race to stop the damage we have done. Once the decision is made and the damage is done all of the sudden sustainability or more precise, sustaining starts and the cycle set in motion may never end.
Burning Bush / Euonymous alatus This is one of the most popular fall color shrubs in production. It’s vivid red fall color gives it the name. It is tolerant of drought, ignorant pruning with gas shears extreme cold and keeps on growing. As a result it has become a favorite in commercial landscapes and roadside plantings. In zones 6 and up, the little red berry it gets is extremely viable and is spread by the birds that eat it. Typically a simple hedge planting in the wrong location can spread to a radius of one mile within ten years. The native plants they displace include Mountain Laurel, Rhododendron, and Hydrangea. Which would you rather have?
Bradford Pear / Pyrus calleryana I can remember when this plant came out in the 80’s and was marketed as “America’s Most Poplular Tree” for the fall color, spring flower, nice tight shape, hardiness, and its fruitlessness. Besides being prone to ice and wind damage due to that “desireable” branching habit, this tree turned out to be anything but fruitless. The small crabapple sized berries are a favorite of birds and so is its branching habit. As a result these can now be found in pastures and waterways throughout zones 6 and up. Even worse in waterways they are replacing canopy producing trees and raising water temperatures which hurts species such as the Southern Appalachian Brook Trout.
Japanese Wisteria / Wisteria floribunda Introduced as a favorite for Japanese gardens, its agreesive vining habit will take over anywhere zone 5 and below if left unattended. It can reproduce by rooting if the brances touch the ground, and in zones 7 and up has vibable seeds. It is commonly found in Eastern forests along the Blue Ridge Parkway at elevations between 2500 and 4000 feet. The populations are highest around cities and especially the Biltmore Estate. While the flowers are beautiful with the Dogwoods they can girdle and kill any tree they wrap around. There is a native variety that is finally making it into production.![spbua23[1] spbua23[1]](http://www.botanybuddy.com/blog/wp-content/uploads/2009/10/spbua231-300x201.jpg)
Japanese Barberry / Berberis thunbergii This plant is most commonly planted at your local McDonalds due to its attractiveness with the golden arches. It is just an invasive as the chain in zones five and up and is as bad for the environment as their food is for you. The plant aesthetically is probably as numbing to your palet as their food is to your culinary sophistication. The beautiful red berry entices the birds like a toy in a Happy Meal entices my child. The red leaves hypnotize the plant’s buyers from a distance like the arches that can be seen from a mile away. As a result this plant litters our forests like McDonalds’ wrappers do our cities.
Empress Tree / Paulownia tomentosa This plant is not commony found in nurseries, but it is pushed by many major seed catalogs for its ability to grow ten feet a year. I would think that would tell you something in itself, but people want instant results and that pretty purple flower in May and June. The tree has nice leaves and a habit like a Catalpa, but most of the year its appearance is cluttered by the seed pods that will spread anywhere they can find soil and light. This is one of the few invasive trees that wasn’t brought here for planting. Instead, before there were packing peanuts there were Paulownia! Before there was styrofoam the seed pods of this plant were used in wooded crates from Asia as packing peanuts, and the trees can now be found along all of the railways throughout the United States. Unfortunately one of the first places those rails went was our national parks.
English Ivy/ Hedera helix What would a formal garden be without it? It would be a lot more interesting and a lot more sustainable. It is defnitely time to give this plant a rest. It should really only be used in the concrete jungle and even then limited. There are many more intersting alternatives live Pachysandra or an all out perennial bed. This vine spreads by root and can climb in the forest greatly weakending larger trees if not contained. When allowed to reach heights of 20 and 30 feet it will often start to seed and spread even more. I haven’t used this plant in over five years, and to be honest with you, my designs, clients, and environment are far better off for it.
Butterfly Bush / Buddleia davidii This plant is finally starting to make people’s radar as an invasive. It is one of those that has exploded in variety and popularity over the last fifteen years. It is still new enough the effects are just starting to take root. However, in all zones, if these seed falls into a wetland or moist area and gets temperatures above seventy degrees for over a couple weeks, it will germiante and spread. It is most commonly a problem in warmer mountain and piedmont areas thought the US where moisture running off the mountains provides just this environment. The seed is a favorite of finches so they move the seed form the plant to summer wilflower patches that share ideal growing conditions.
Scotch Broom / Cytisus scoparius This plant is to the West and coastal areas what Japanese Spirea is to the rest of the country. It has naturalized throughout most of the West Coast. The low growing bushy habit takes out everything in its way, and it has beautiful flowers and evergreen foliage to boot! This makes it a favorite of growers. There are hundreds of varieties in production, and the tollerance to drought and long bloom time make it a favorite of retailers. As for all those little California and coastal wildflowers look out! This one is eating them all up.
Norway Maple / Acer platanoides This is probably the most planted invasive tree, but most unknown to be invasive. This plant had been quietly taking over Poplar forests for the last hundred years. Poplar being fast growing, straight and light is now the most popular trim lumber. It is often selectively harvested leaving just enough light for the seeds of the Norway Maple to germinate and establish quickly. With yellow fall color like a Poplar’s, from a distance youwould never know the forest had changed, but the natural progression of the forest has. As the Poplars get older, weaker ones are supposed to fall and thin over time allowing room for grand Oaks to establish along with the legacy surviors. However, the fast wide growing maples stunt the forest progression making 100 year old forests look like they are only thirty years old.
There are two main things to consider when choosing a plant to purchase. First, choosing the right plant for the right spot, and second selecting a quality plant to buy. As for choosing the right plant for the spot, there’s an app for that! Botany Buddy’s tree and shrub finder was designed specifically for this purpose. As for choosing a quality plant to purchase, this post for that.
1.) Bare root plants can never be allowed to have the roots dry out. Healthy bare root plants will have small white fibrous roots it they have been properly cared for. If they have dried out they may be brown but still be viable. This can be determined by scratching the root to see if it is green or white underneath. If it is, pruning them back by 20% and immediatelysoaking them in water and root stimulator (Vitamin B1) can cause the roots to sprout new growth. If the roots are dry and brittle or soft and smooshy don’t buy the plant. The roots are probablydead.
There are also signs to look for that you should completely avoid. Some plants may have been left in a pot so long that the roots will have girdled themselves. They will have circled around the pot so many times that they are strangling themselves and will eventually cut off their own circulation. Another symptom of being in a pot too long is that the plant may have used all the soil in the the pot and be nothing but a mass of roots. They can still be kept alive in the pot with daily watering and regular fertilizing, but once planted it creates an air pocket that eventually causes the plant to dry and freeze out over winter. If the pot is big but fells surprisingly light, or blows over in the nursery with just the slightest breeze this is probably the case. This makes them easy to spot from a distance. These roots are a little tight, but healthy!
Healthy balled and burlapped plants will have been dug when the soil is moist but not soggy. They are typically grown in soil with a little clay to help hold the ball together, and will be wrapped in natural fiber and bound with biodegradable twine. Balled and Burlapped plants should always be shipped within 24 hours of being dug and immediately covered in mulch or gravel, and watered upon receiving. The roots or outer edge of soil should never be allowed to dry out. Once they have, it can take over a year for active root growth to resume. Any time roots can be seen emerging from the burlap into the surrounding mulch you can be assured the root system is healthy and has been well cared for.
