Botany Buddy

In the last three weeks I have been visited by about thirty friends from distant places dating back over thirty years.   Some of them I don’t even remember not knowing and even though I hadn’t seen some in five to ten years it seemed as though a single day had not passed.  Most have married or should have been allowed to, and some we here to see one get married.  About the only thing that was different was some of us were a little softer physically and mentally.  However none of us were any softer in our passions.  When you get a group of artists, musicians, chefs, designers, and gardeners together you know you are in for aesthetic overload.  I have to thank Michael and Anita for choosing Asheville as the location for their special day.  There couldn’t have been anyplace more appropriate for such a reunion.

It was definitely a spiritual time and this in particular is a spiritual time of year for me.  Lately I have been completely enthralled in my writing for the update, but I have also been rediscovering my camera.  Two days a week I have been spending in the field capturing what has probably been the best blooming season I have ever encountered.  This has allowed me to capture from bud to bloom to leaf and to seed hundreds of varieties of plants.  In the process it has reconnected me to the people who introduced me to some of the plants, and the people I introduced the plants to.  This has been a true rediscovery of myself and I can never thank enough the people that have allowed this happen, just like I can never thank enough the people who first made these introductions to me.  There is an old saying that it is bad luck to thank someone for giving you a plant, you just give them one back and give one to someone else.  Gardening is without a doubt about giving and bringing people together rather than thanking them and going on your way.  Things and people always seem to keep coming around like the seasons in a garden.

This spring has also allowed me to reconnect with people I have never met.  In my excursions  I have visited private and public gardens as well as nature herself.  I have even just cruised neighborhoods scoping out that one missing specimen.  Twenty years ago this is how I first honed my craft with mentors and friends like Duane Hoover of the Kaufmann Gardens and so many others.  However no one made me better understand my craft better than those I studied that came before me.  Tommy Church, George Kessler, Frank Lloyd Wright and John Brookes are some of my favorites, but nothing influenced me more than the biography of Fredrick Law Olmsted.  I had read books about his work, but this was the first one that was really about him.  It is no garden book.  It reads more like a Western novel about someone who eventually found his was in a garden, and he was always the first to admit that he was not a Landscape Architect, just a lover of the arts and the land.  As a product of the liberal arts myself, I always related to him the most.

This spring I have been spending two days a week scouring the grounds of The Biltmore Estate, camera in hand and brain in the clouds.  Like the kid I was learning my craft in the parks of Kessler, and finding my way in the gardens I was creating, it is like Olmsted and I are connecting again after all these years and no time has passed.  Along the way I continue to meet new people as they find me crawling out from under a plant, trying to get that perfect picture of the bark.  Every once in awhile when I look beyond the picturesque gardens and soak in the pastoral, I realize Olmsted put that there too and I continue to meet new plants.  There is no one more responsible for the introduction of some the worst invasive species to these mountains than Mr. Olmsted, but I have not doubt he loved the land as much as I do.

I am sure that if he knew then what we know now, he would have moved from defining sustainability as related to money, to creating things that are sustainable without it.  He saw the plants as a palet to fulfill the visions of his designs, strong in Architecture, but grounded in the patterns of nature.  They were like the books on a shelf or the art on a wall and he brought a greater appreciation of them to all of us.  He saw sustainability as a plan to care for the land buy using it to generate the money to pay for the art.  I am sure if he were alive today, he would see that the plants need to take care of the land so we don’t have to plunder it to pay for the gardens we create.  In the end, he made us more aware.  He just wasn’t aware of the consequences of his actions, but without them we would not have come to the awareness we have today.

As I near submission of the next update, I will not jinx things and thank Mr. Olmsted, Oregon State University or the University of Arizona, but I will be sure and give them some plants back.  Most importantly, I’ll be sure and share them with others, because plants and people definitely go together.  In the end, without growing together we will never learn together.

The Christian Science Monitor had a good article on the state of the nursery industry this week titled, “The nursery industry is facing tough times.”  It paints a pretty bleak picture for the last year and predicts the same for next year.  It is actually an extension of an article posted by the Oregon Nurseryman’s Association.  I would link them both at the bottom but ONA still doesn’t post on line so CSM you get it.  The just of it is that last year commercial growers showed a 17% decline and they are predicting the same again next year.  The growers they interview hold their chins up and say the industry will rebound, but that they will be the last ones, because the plants are the last thing to go in when construction comes back.  For an industry that rarely operates on a profit margin over ten percent things will have to change.  They say that the industry is completely dependent on the housing industry, but that isn’t the complete truth.

I have been in this industry my entire life.  I am a Missouri Certified Nurseryman, and worked in some sort of retail or wholesale nursery my entire career until 2004 When I moved to North Carolina.  My growing design career had led me to a company that was entirely landscape and maintenance focused with no retail or wholesale operation.  The company I came to work for was the biggest in the area, the work was supposed to endless, every house I saw upon arrival seemed to be north of 1 million dollars.  Beautiful mountains, lakes, rivers, and golf courses (if you think they are beautiful) where everywhere I turned.  Being right outside of the Great Smoky Mountain National Park, this is also on of the most biodiverse areas in the world.  For a designer and gardener, this was and still is paradise.  I toured about twenty jobs in three states during my interviews and coming from the inner city I saw how I could be creatively reborn, and I was.

When we decided to take the position and move here it wasn’t about work though.  We already had roots in the area from my wifes past, and we had a two year old daughter at the time.  We had reached the point where we had to leave our beloved Hyde Park, but couldn’t stand the thought of becoming suburbanites, or crossing the state line to Kansas.  This was about being the kind of people we wanted to be and raising our daughter in that light.  We made sacrifices and I contend they were worth it.  However, I have to admit some sacrifices I did not see coming.  I was overwhelmed by the beauty of the Blue Ridge Mountains, Mountain Laurels, Rhododendrons, and Azaleas at every turn.  I was probably intoxicated form the smell of the Galax as well.   I still am and always will be.

What I did not see was the storm that was coming.  In the Midwest you can see a storm coming from hours not miles away.  It’s flat there, so when you first see that front coming it is still in Nebraska.  You have time to secure your site and get out of the way.  Here things pop up from behind a mountain and your stuck.  Luckily I have never been one to look to the horizon.  I am always one to explore inside before I look out.  I am a bit introspective if you can’t tell.   As a designer I take after Frank Lloyd Wright.  I seek out the box and break it down creating as many different views inside until I lead the eye outside to the horizon and nature so we understand our role in it and reveal the greatness of it all.

Once here I had to do the same thing with my new work environment.  One of the first things that struck me was that with one of the largest landscape markets in the country there were relatively few nurseries.  Where did all these local earth loving gardeners shop?  Asheville is way too crunchy for them to shop at WalMart.  The next thing that struck me was that we didn’t do any work in town.  All of our clients were an hour, county, or state away?  I was a mid-towner.  I was used to driving by all my work on the way to and from the nursery.  I could schedule an appointment on every hour because all my customers were neighbors and new each other, not an hour apart.  It was an event for the entire block when I came around.

Finally after a few months it struck me that I had tons of work, but I had no customers.  I would meet these people get to “know” them and their space, but when it came time to see the plan they may not even show up.  We would send the plan to them or give it to the builder, and a signed contract and deposit would show-up for tens or hundreds of thousands of dollars.  Then it struck me that all of these beautiful houses, furnished to the hilt, were empty.  There was no one home…EVER.  Not only were the homes we were working on empty, but in someways our work had become empty too.  After knowing all of my clients closely suddenly I was lucky if I knew ten percent of them.

One of the reasons I always liked working in a nursery was that my customers could find me, but now I couldn’t find them.  I knew my customers and as part of their home I became part of their family.  Suddenly I had tons of work, but had no customers, and even the greatest of designs somehow lacked soul.  I have done a lot of market research this year and from 2002 to 2007 the amount of landscape services performed in this country jumped from 24.5-44.7 Billion dollars.  It almost doubled.  The number of people didn’t double, and we know that what everyone spent didn’t double because the nation saw wages shrink.  What did double (in some cases more than double) was property values.  The over inflation in the real estate market that fueled new construction was what was fueling this growth.  Almost the entire landscape industry shifted it’s focus to service this new market with deep pockets, and best of all (in some people’s minds) there were no customers to deal with.  It was supposed to be easy money, and all you had to do was grow your company to do the work.

It’s confession time now.  A little over two years into my new position here, I went to work for the other side.  I started a consulting company that designed and managed properties for a few of the most elite resort developments in the Southeast.  I got a unique inside look at what was feeding the growth on the other side.  One of my roles was to create management and financial plans to manage these properties down the road.  It was part of the collateral needed to get  the construction loans.  A big change coincided with this growth at the beginning of the decade that greatly effected how this all worked.

For the first time in our nations history, the banks that made the loans that drove this country ceased to hold them and the responsibility to guarantee them.  As a result a fundamental change in underwriting occurred.  Property values were no longer calculated for what they were worth, but for what they could be worth.  If you had the land, a landscape architect, and a good marketing package you could set the price, get the appraisal and get the loan.  The banks didn’t care, because they were only writing a five year balloon that they were going to collect the fees on and sell the loan in six months.  Even worse the government was giving out HUD agreements protecting the developers from the buyers if for some reason they didn’t deliver what they were selling.  Even at the lot buyer level, the eventual homeowner could get their lot home package for no money down and no payments for two years if they had the personal credit the developers could use to build a house.

When it came to building the developments it worked the same way.  It was on the backs of the contractors to go out and buy the equipment for these multi year-commitments, and if it meant they could get part of the windfall and not have to deal with all those pesky customers they were all for it.  In the end, everyone involved was living off the over inflated land, and as long as the cash kept coming to feed the machine they were all fine with it.  Something happened on the way to the bank though.  Suddenly there were way more million dollars houses than there were people that could afford them, and all those little investors who financed those home to make a fortune on in two years suddenly couldn’t pay the bank when there was no one to buy the house.  When the banks came to collect, they realized there was still no asphalt on the roads to get to the house, the pool the developer promised wasn’t there yet, and that golf course was still five years out.   There line of credit would expire and be dry before the golf course it was for was even built.  Foreclosures on the spec homes started to mount, the banks couldn’t sell the loans and property values plummeted.

Suddenly the same was true for the developers and bankers.  All of these over inflated construction loans were due on a five year turn around, and before the construction could be completed the properties were already worth less than the loans.  The lines of credit came to a halt, property sales stopped completely and developers that sold hundreds of lots the year before were lucky to sell three.  With the banks cutting off the credit, and the buyers nowhere to be found, it was over.

The house of cards was collapsing, but to make that house of cards look strong people kept spending.  The contractors kept going even thought the developers couldn’t pay.  As payables mounted to 90, 120 days or more, the companies would finance them to service the debt on that equipment.  If they could just keep going and make the developers look strong someone would finance it,  or they could slap liens on teh properties and when the bank sorted it out they would get paid.   The problem was, the banks held the first mortgage, and since the properties weren’t worth the note, the liens didn’t get paid because the banks were in line first.

In all of this,  the only one left holding the bill is the contractors and the few homeowners that didn’t buy their homes in an LLC.  so they could walk away.  Oddly enough the ones stuck with the bill are the only ones that could have walked away, but chose to stay.  In the next three years 1.5 Trillion dollars in commercial loans are coming due on properties that aren’t worth what those notes are for, and this isn’t over yet.

Our industry sold it’s soul, or so it seems.  The thing is, our soul never left us, we just left it and we have to find it again.  There are those that didn’t get sucked in.  They stayed craftsman before contractor and realized to be a craftsman you have to have someone to craft a piece of art for.  We have seen down turns before in the 80’s and early 90’s, again after September 11, and this industry grew out of the great depression.  In those times though, the industry didn’t invest in what collapsed.  We didn’t finance the stock market, the dot com boom, or Osama Bin Laden. The difference this time is we bought in and got left holding the tab.   In times like this people find their homes and gardeners are born.  The jobs will be smaller, but there will be more of them.  The customers will not have as much money, but they will value our work more.  This industry was built on relationships, and going back to that is the only way it will come back.  We have to find what made us who we are in our souls.

Landscape companies will have to change, some will go, and many new ones will emerge.  The work is still there and is not going away.  The yards need mowed, the trees need trimmed, the house needs shade, and in more and more cases landscapes have become a structural part of construction.  Most importantly, more people are finding their homes and garden as something more than where they park at night.  In some way the industry got what they wanted which was less customers.  However I have to think that everyone is really like me and what they love about what they do is the customer.  If this is true the industry will be fine, but we have to be honest with ourselves that we are not victims of the housing industry, because we are in the home industry.  We just forgot where our home was.

More from the CSM:  http://www.csmonitor.com/The-Culture/Gardening/2010/0219/The-nursery-industry-is-facing-tough-times

It’s an age old question that can apply to many things.  Names are something we take for granted, but in reality they are the fundamental basis of all communications.  When we think of names we think of what we call one another, our pets, our children and our places.  In reality though ever word in every language is in essence a name.  Even a verb is the name for an action that takes many words to explain, that is why they all have definitions.  Imagine trying to give someone directions without a name for the action of “turn”.  Most importantly though, we use names to explain relations.  First names, last names, family trees, nationalities, and the names for the relations between these things are what derive and keep order in our world.  Even further they are the signposts to how we navigate and determine our possible impact on and place in the world. Names of course vary among languages and regions.   Different words (names) are used to describe the same thing in different languages and locations.  In the end, regardless of differences in language, the objects and actions being described by their name can be recognized for what they are and the variations in language can be translated.

The scenario where this doesn’t work is in living beings.  Verbs can vary in how they are performed, but that can be described with adverbs.  Physical objects like rocks or furniture can vary in visible traits or molecular makeup, but that variations are qualified with adjectives to help further describe the object.  Even these can easily be recognized visually and translated between languages and cultures because the “name” is essentially the same.

Where absolute accuracy is essential and qualifying additives cannot do justice to a name is when it comes to living beings.  When it comes to people, accuracy doesn’t seem to be such a problem because we are all unique and have a free will.  We will always act individually even within a community and the genetic heritage of our name has limited capabilities in determining or predicting how we will act.  People can even share the same names, but be easily qualified with adjectives or descriptors because every human is distinct.  With people and even domesticated animals, the genetic code may vary slightly within our species, but our wills, personalities, relationships and souls make us all easily discernible from one another.

With other less discernible species such as grasses, lichens, trees, fish, birds and non-domesticated animals the species may be discernible as a whole but the identity of individuals within the species is much less clear.  More importantly the collective impact or necessity of the species has an even greater effect on the world and nature as a whole.  Names of these species describe a collective whose members act on a collective instinct (or possibly conscience) instead of individual free wills.  In the end these names represents more than the one.  They give insight and understanding into the collective nature and cultural background of the species as a whole.

To answer the the title question:  Everything about and everything something and what it impacts is in a name.  A good name captures both the essence and esse of what it describes.  It captures the traits of what makes the thing being described unique (essence) as well as the intrinsic presence that makes it identifiable for what it is (esse).   Where meaning gets lost is when variation occurs in the naming itself rather than the translation of the names.  In the plant world people work in both common and botanical names.  The botanical name is a Latin based name that is used not only to identify the plant, but also gives insight into the breeding and heritage that led to it’s creation.  It is is written in Latin to provide a universal language whose meaning will not be lost in translation world-wide.  This allows us to see what the species is, where it has come from genetically, and what it might do in nature or the situation we put it in.

Common names are regional and based on local peoples’ experiences with the plant rather than the culture and cultivation of the plant itself.  Common names are extremely descriptive, but subjective and should never be used when striving for accuracy of any kind. There is much debate about what people like to use, and whether the botanical name is important if you are not a professional horticulturist or botanist.  However, you really can’t know the plant well enough to responsibly plant in nature or a landscape without the information provided by an accurate botanical name.  Common names may tell what a plant has done, but cannot give sure insight of what it is capable of doing.  Accurate and exact botanical naming of all species (not just plants) is crucial the the protection of nature itself as well as understanding it.  Nothing has been more influential to the spread of invasive species and disease than improper naming that occurs in the commercialization of plants and the mis-education that improper naming provides.

Over the last fifteen years, with the rise of genetic testing, efforts have been underway world-wide to cleanup this mess, and bring order to this problem. The Integrated Taxonomic Information System is one of the efforts that has been working across borders and oceans to make this happen.  The ITIS is a collaborative effort of governments and  academic systems, that crosses borders and oceans, but is greatly limited by the inertia and limited funding of the respective institutions.  There are others that specialized even more into areas such as fungi, cacti, wattles, and regional ecosystems.  These groups have a passion and sense of urgency but don’t have cooperative and interconnected systems to make some of this possible.  This problem isn’t limited to the plant kingdom, it is pervasive in the animal kingdom as well, and both do relate to one another.

Most of the early misnaming has been created by the limitation of communications.  Most botanical naming was done long before the Internet was ever created and the commerce of species became a worldwide phenomenon long before there was a world-wide-web.  As a result duplicate species are being sold and shipped with different names throughout the world.  Even more damaging, multiple species are being distributed throughout the world with the same name, and this is where the greatest danger lyes.  People are shipping and using plants all over the world for uses they are not suited for or with potential impacts that they are totally unaware of.   What is in the name they are buying or selling is actually of another name.  The greatest responsibility  lyes in the breeders and distributors of these species to accurately identify what they are selling, and to accurately identify what they are breeding them from.  Unfortunately, until the system is completely cleaned up and connected this cannot be done.

Commercialization has not only led to the spread of misnamed species, but people are breeding new species and varieties from already misnamed species at rates ten times faster than the original species were discovered.  When we started Botany Buddy it was created to help communicate and educate between the “classes” (for lack of a better name) of gardeners.   The tools we are creating are meant to bring the same language to educators, botanists, growers, purveyors and gardeners in a way that is easily accessed and understood by all.  Our original iPhone app was created to educate, communicate, and identify information to the user and for the users to be able to communicate it to each other.  In the end it has communicated just as much to us.  With users in over twenty counties and on every continent we have communicated with botanists all over the world to help us design our new database and systems.

Just this week we finished proofing the final taxonomic database for the upcoming web based app.  With about 60,000 species ACCURATELY represented we can now add data, photos, and even more species to the database and know that we can truly represent the species’ family heritage.  When we started this our intent was to add a thousand or so trees at a time, and just build on the library we had in the original app every so often.  In the end we realized we needed to add the ones we have now into nature’s library and to create our own Dewey Decimal System to manage it the information in it.  As a result our final product will be a tool that has literally “thousands times” more information than our initial release and will be formatted to grow at any given moment and with more accuracy than any other resource I have found in existence.  This capability would be totally impossible if it were not for a name.

Personally I like to be a little incognito in my gardening circles.  Those who “know” me know not just my name, but my botanical name as well.  I would venture to say those who read this blog regularly are probably getting to know me on that level to some extent.  The other day I was at garden center and watched someone selling an ornamental grass.  This person did not know my botanical name.   The customer asked if the plant would spread by seed.  The sales person said, “No this is Kirk Alexander Maiden Grass and is a hybrid that was cultivated by a local designer years ago.”  I pointed across the highway to about a 1/4 mile long stretch of maiden grass growing in a ditch, and said, “That may be Kirk Alexander in the pot, but those are his parents over there and they didn’t arrive until after Kirk did.”  Needless to say they looked at me like I was nuts, but that is what is in a name. If we know where we come from we know where we might go.

People are all hybrids and we may be determined not to become our parents, but it in the end both the best and the worst of them tends to come out in us.  Obviously I get my verbosity from my father.  He always used to say “the mind cannot absorb more than the seat can endure”, so I will wrap this up.  This trait about me you could definitely predict if I had a botanical name.  Our naming task has taken far longer, more mental energy, and more patience and determination than almost anything I have ever done.  It is and has to be the foundation of everything we do going forward to really be a great reference.  I like superlatives, and this may be the most important and responsible work I have done in the last thirty years and hope will help the world for hundreds of years to come.  That is what is in a name.

Alright, I admit that I am a sap for cheesy music (as well as the good stuff) and I have a weakness for great song writers.  Writing a great song is so similar to designing a great garden that I just can’t help it. Today it’s Billy Joel.  I have been writing in app speak for about a week straight without blogging, and breaking out the Greatest Hits was a sure fire way to get me back to my native tongue.  Don’t get me wrong.  I love the challenge of trying to hone together information into perfectly worded phrases designed to interact with on another on a technical level.  Writing an interactive book is actually great because it reigns in my run on sentences and teaches me to speak without analogies and innuendos.   However, is it me trying to change myself to try and please you…or is it me?  I think as long as I continue to be myself that I will come through in the end.  That is the key to writing a great song.  Finding the best in all of us, learning to bring it out and bring us together with the most efficient use of words, patterns, rhythm, is at the heart of music, writing, gardening and all the arts.

One of the key things I have learned to do in all of this is not change me and to be myself.  I learned a long time ago as a designer that when I did my best work, I let myself come out and tried to blend it with the essence of my clients and the space we were working in.  The same is true with plants.  Plants do their best for us when we put them where they want to be, not where we can make them do what we want.  As gardeners, too often we ask this of our plants and our spaces only to change ourselves too in the end.  By butchering them and controlling them to the point that they are no longer who they want to be (people, places, or plants) they cease to be the things we love and become all to unfamiliar.

So while we sit and reflect this winter and lust over catalogs to find the perfect plants for the prefect spots, let’s remember that the perfect plant is the one that can be who it wants to be and bring out the essence of the space and ourselves in the process.   If we do this we will get the gardens we want because those spaces, our needs, and the needs of the plants that will live there will bring us the diversity we crave.  If we don’t we will just ruin all the things we love about each other and our love of gardening.

We’ve all been in that bad relationship, and as designers in our desire to create and be something different we can make the greatest mistake of all  “She’ll promise you more than the garden of Eden.  Then she’ll carelessly cut you and laugh while your bleeding but she’ll bring out the best and the worst you can be.  Blame it all on yourself cause she’s always a woman to me.” Sound like something we’ve all done to a shrub or two.  How often have we done this?   When will we learn that our plants, clients, spaces and selves are what and WHO they are.  Only when we learn to respect that and learn that we have to live together will we achieve that love we long for one another.    If we don’t we will just ruin all the things we love about each other and love of gardening.  So when we think of ourselves as gardeners let’s think of ourselves as cheesy songwriters.

“So don’t go changing to try and please me.  You never let me down before…Don’t imagine your too familiar and I don’t see you anymore…I would not leave you in times of trouble.  We never could have come this far…I took the good times.  I’ll take the bad times.  I’ll take you just the way you are.”

I saw this headline out of the Telegraph (UK) today: “Garden Centre Tells Men to Make Wives ‘Feel Special’ With a Clothesline“. If it hadn’t been attached to a tweet decrying the backlash, I actually would have thought, “What a great idea!”.  Of course once the retail chain was attacked for their callousness, they admitted their insensitivity and apologized; claiming that it was meant to be in jest and their catalogs were known for such dry humor.  ”Humor?” I thought…I was dead serious.  This is the kind of gift that would make my wife feel special.  In fact, such a gift has.

Three years ago, my wife started begging me for a clothesline.  Now being the obsessive compulsive designer, this was not quite jiving with my vision for the garden.  I wouldn’t admit it at the time, but the other reason was to being the obsessive compulsive one I also insist upon doing the laundry.   That way I know things are hung and folded the way I want, when I want.  A clothesline would about to add some serious effort to my weekly ritual and at a time of year when I need my rituals the most.  It also was going to add chaos to my rituals as suddenly the ability to complete my tasks was about to be controlled by the weather.  As a gardener it took me decades to get over this weather thing,  and I wasn’t looking forward to this inner struggle again.

However, we are “homestead gardeners” and in terms of our homestead palet, and our need to be green, She had a point that it did fit in.  So fate had it’s way and one day my fence guy (who like the article is from England) was here to install a beautiful new Three-board fence for our new extended goat pasture.  You see at the very front of our front yard and lawn is not a cul-de-sac for everyone to view our house from, but instead a series of three mini-pastures for us to rotate our goats and poultry through so they can “range”.  This new beautiful fence was to go right at the end of the lawn framed by two large White Oaks to take your eyes across the pasture over the valley and up the mountains on the other side to frame our view, and it does this quite well.

So after months of avoiding the clothesline and trying to buy off my wife with the fence project, The day had come to install the fence.  When James (the fence guy) arrived we had our usual chat and caught up on various projects before he drove down across the lawn to unload the materials for his guys.  They had been picking through the rock for a day already to dig the wholes so I thought I would stay away so they could complain to James and he could do his thing.  As I headed back to he house I didn’t even look at the materials as I have known James a long time and trust him with every bone of my body.  Back at my desk I looked out the window and to my surprise my wife was down there with him climbing in the back of the truck.  It turns out once he had unloaded our materials left in the bed of the truck were 2 (qty) 4″ welded steel “T’s” that he had removed from another job.

I knew I was in trouble.  My wife spent three years living in a mud hut in Africa in the Peace Corps and she is a very resourceful and determined person.  The game was on, and as James looked up at me in the window, a giant grin came across his face as he quickly lowered them down from the truck.  The last thing he wanted to do was take them home and have to put them up for his wife.   So there you have it…my wife was getting a clothes line and she was “Feeling Special”.  So for Valentines Day the gift that year that we can actually remember is my sanding those posts, painting them green, and setting them in concrete to string those lines.

Truth be had, I love that clothesline, and I love my wife.  It is an integral part of our homestead garden that sits centered between those Oaks right in front of that fence.  When the clothes aren’t on it, it looks more than appropriate with the goats behind it, the vegetable garden to one side and the woods to the other.  When the clothes are on it they add life to the landscape and their play in the wind exudes the freshness of the nature that surrounds us.  I have to say I love aesthetically arranging the clothes on it, and hanging them just right to prevent wrinkles from the pins and to get them to snap just right in the breeze so I don’t have to iron my linens.  This addition was perfect for my Monkish tendencies and our lifestyle.  That clothes line does make my wife “feel special”, and it makes me feel special too!

Anyone who doesn’t thinks that clotheslines can be romantic or make a spouse “feel special“, probably has problems enjoying a fine piece of chocolate or a tomato picked minutes before slicing.  The feeling of a fresh linen shirt touching your skin right off the line and the smell of fresh air that permeates it is one of the finer things in life.  Sliding between line dried sheets that don’t wreak of fabric softener as the cool breeze of night air drifts in through the window is one of the greatest “Rights of  Spring”.  Never mind all the environmental benefits that come along with it, If you can’t see how a clothes line can make on “feel special” than you must just have a hard time feeling yourself.

My wife is a landscape painter, and you can see her work here.   In the spring she opens the studio door and paints studies of the view.  One of my all time favorite pieces is this one of the clothesline.  If this doesn’t embody romance, then you must need a little more in your life.  It is not uncommon in the states to find people fighting for the “Right to Dry” as exclusive neighborhoods with soulless landscapes have banned them with their covenants.  My recommendation to you is if you do want to make your wife feel special get a clothesline, and try doing the laundry for her every once in awhile too.  It might just make you feel special too.

Since I started Botany Buddy and have been writing content for all of our upcoming applications, I have become somewhat addicted to reading all the old print trade magazines as well as blogs.  It seems like one of the hottest topics is and always has been lawns and the use of turf grass in design.  I have seen those that despise turf of any kind, those that don’t mind it as long as it is 100% organic, and those that think declaring your manifest destiny with acres of perfectly manicured turf is a symbol of the American way.  I hate to say it but you all my just be right, because what is actually the right thing to do may be dependent upon the situation you are in.

I always like to take nature as my guide.  Having spent the last five years designing and creating covenants for “sustainable” conservation properties, I have struggled with this dilemma myself and have come of with somewhat of a guide for decision making.  Like with everything else, I use nature as my guide.  If there was no place for grasses in our environment I seriously doubt we would have had the prairies, savannas, and wetlands to begin with.  All three of these situations are nature’s home to grasses, and they have very specific roles in the habitat of our wildlife and ecosystem as a whole.  Other than grazing,  The main roles of grass in all of these situation are erosion control, water filtration, and play.

Erosion control is pretty easy to understand, and there is a reason all best management practices in construction require very stringent seeding or sodding processes.  Once we killed the prairies, the winds blowing across the prairies would create the dust bowl and we learned this lesson the hard way.  Once grasses secure and protect disturbed soil the roots and thatch of the grass naturally convert the exposed subsoil into nutrient rich topsoil.  If you have ever lived in a brand new subdivision you see the emulation of this natural condition for the first ten to twenty years of its existence.  If you have lived and gardened in a 100 year old neighborhood you have enjoyed the benefits of the nice rich soil this process leaves behind.  Even in the woods, the herbaceous layer of perennials and in some cases grasses serve this same function.  The process of growing, dying back, and returning to the soil is emulated in our own lawn as long as we leave the thatch in place.

The other place grasses are most prevalent are in wetlands and river bottoms.  besides holding up the blooms of the beautiful wildflowers flowers for us to see better, grasses also are a vital filtration device for the water that flows through them.  This can be the same in our yards.  Running your storm water across a lawn is far better for the environment than channeling it in river rock or piping it to a storm water inlet.  Running water across 30 feet of healthy turf can remove 90% of the sediment and pollutants the water carries.  However this only works of you aren’t using even more pollutants to take care of the grass.  If managed responsibly, turf is actually one of the most ecologically friendly ways to manage surface water and drainage.  In the end the damage done poor drainage can be far worse than anything you can do with a lawn.

The final natural use of grassy areas I like to call “Play”.  If you have ever had the chance to see Elk emerge from the forest after an afternoon rain to engage in their courting rituals and graze you know exactly what I am talking about.  The same can be said for buffalo or deer, and it is not unlike watching  my daughter play games in the front lawn with a bunch of her friends.  The need for wide open spaces and battle our sense of claustrophobia is not only natural to us but most other species as well.  No matter how unnatural some can make a lawn look, wide open grassy spaces are very much a vital part of our natural landscape.  Unless a landscape is completely wooded they can look very unnatural without some form of lawn.  I have seen plenty of gardens planted to the gills.   Without a hint of negative space in the form of a meadow or lawn and they can look just as unnatural as a lawn.  Ground covers can provide this effect too, but if they grow lower than weeds it is impossible to keep them healthy and if they are aggressive enough to keep them out they are usually an invasive species.

In short the challenge to designing with lawns isn’t whether or not to do it.  The amount of sunlight and ability of the environment to support grass will determine that.  The challenge is finding the methods of installation and management that get it established quickly, and do more to benefit nature than we do to harm it in the process.  To guide you through these decisions I have put together this summary.  This in not a “How To”.  There will be an app for that.  Think of it as a “why to”…or to not.  I think you will find your answers come naturally and they will do more to help you succeed than any four-step program you buy and your local retailer.

Turf Grass Installation:

If you are looking for a traditional lawn, the two most common methods for installation are sodding and seeding. With soil preparation sodding typically costs from $1.00-$1.25 per square foot.  Seeding Usually Costs $.15 to $.25 per square foot.  However, this is very deceiving when you consider what it takes to achieve establishment.  To get seed to establish into a lawn in a landscape takes an average of 3-4 applications of herbicides, preemergents, and fertilizers per year.  It also usually requires at least one major aeration and renovation if not more, extensive watering, and frequent overseeding.  It also takes more water to establish the seed, and to maintain it in the hottest times of the year because it has less of a root system to support the blades.  This is just for one year, and it actually takes two full years of diligent, chemical ladent maintenance to beat the lifecycle of the weeds.   That is only if your timing is prefect and you don’t miss a beat.  Otherwise it can take longer.

There is no doubt that sod farms water incessantly, and pump tons of chemicals into the soil.  But the space that they pollute is limited.  They will typically get twenty or more harvests out of the same piece of ground.  They also tend to harvest and recylce their water and as a result are becoming more and more conscious of the the nitrogen levels and especially herbicides in it.  Due to the intense methods and irrigation, sod farms also produce a harvest ready turf in six to twelve months vs. two to three years.  This means it takes at the most 1/3 the chemical usage to achieve the desired thickness as it does to seed a lawn.  They are also strictly strictly regulated when it comes to run-off whereas homeowners are some of the biggest polluters with with their fertilizers running off right to the street and into the storm water system with no riparian buffer at all.  Numerous sources can be found to cite that homeowners use 10 times the number of pollutants on their lawns per acre than agriculture does.  This should make us think twice about how responsible we are.

Turf Grass Maintenance:

Mowing: The most environmental damage that results from lawns isn’t from having them, but rather how we take care of them. There are three main things to look at in the care of the lawn, mowing, fertilizing, pest/disease and weed control, and watering.  While treating pests, diseases and weeds directly contributes the most toxins to the soil and water, how you mow and water contributes to most to how much treating you need to do.  There is now greater deterrent to all of these other problems than having a healthy lawn in the first place.  Remember all of these other problems occur when what you trying to grow in the first place is weakened by not being allowed to do what it wants to do naturally.

Almost all turf grasses are bred from naturally occurring varieties that grow between six and twenty-four inches in height.  Now most of them have been bread to have thinner blades and can no longer hold themselves up naturally, but the closer we can allow them to get to that six inches the more they can do to take care of themselves and their space for us.  Other than specialty turfs like zoysia (which set you up for failure anyway), most common turf grasses shouldn’t be mowed shorter than three inches and should be allowed to grow at least two before mowing.  Not only will this make the grass perform better, but it will get tall enough to keep most weeds out, or at least hide them.  Your mower also pollutes, but that is a topic for another blog, hopefully the price of gas is starting to make you aware of that.

Chemical Treatments

Fertilizing: The two most common chemicals applied to lawns are fertilizers and herbicides.  Even organic chemicals, especially fertilizers, can create runoff if over used and pollute our streams.  Chicken manure is organic, and a great fertilizer, but you don’t want you well head next to the chicken house.  The best deterrent is to only use them when absolutely necessary.  Too often people throw down nitrogen every time their lawn looks a little yellow or brown.  Some times it just needs a simple trace mineral like lime or iron, or it just plain needs a break because it is too hot or cold out.  The only times that the need for nitrogen can be very obvious are in spring and fall when the grass is in prime growing season and it is still having problems.  Keeping grass growing in 100 degree temperatures is just as brutal as trying to keep yourself going and sometime we both just need a break.

Herbicides: Weed control is the second biggest polluter in lawn care.  It is also probably the easiest battle to lose.  That is why I recommend not even trying if you don’t have too.  My personal lawn is a mix of fescue, bluegrass and rye, but it also has some oxallis, nutgrass, and clover.  These weeds don’t get large enough to kill out the turf grass, and they provide fodder for the rabbits that keeps them out of my veggie patch.  When they go dormant in the fall, their thatch also creates a nice medium for overseeding the fescue that is slowly choking them out.   If you do have to treat something, only spot treat it, and only bother with things that can actually get big enough to kill out your grass or is a seriously invasive species like honeysuckle or crown vetch.

Pesticides and Fungicides: Aren’t used as often as other chemicals but can be just as dangerous to the water supply and wildlife even in smaller quantities.  Once again the question here is why bother.  Yes grubs will bring moles that tear up your yard, but grubs prefer clay and the moles help aerate and break it down.  Grubs also provide food for wildlife like wild turkeys and robins.  Treating fungus can slow down the organic processes needed to actually let your lawn and soil improve by itself, and the pesticides can kill the worms that provide the best fungicide and aeration of all.  Most of the problems you would treat for in the first place you can’t spot until the damage is done.  It is easily repaired with over seeding in the fall, and most disease and insect problems will usually run a natural course and disappear within a year.  In the end preventative treatments can do far more damage to your soil than the actual problems you are treating for, so think twice before applying or don’t apply at all.

Watering: I recently did a post on watering titled:  Plants Are Like People: Water With Love Even If It’s Tough. All of the same rules I go over there apply to turf.  A healthy turf can’t use more than an inch of precipitation a week, and should never be manually watered more often than once per week.  If you follow the instructions on the previous post you can get away with hardly watering at all.  We just came off of one of the worst droughts in the history of the Southeast, and in those years I never had to water my lawn more than once a month during the summer because I used the deep fall and winter  watering described in the previous post.  Also the taller you let your grass get the deeper the roots will grow.  If the roots are three inches deep, and you have watered deep enough to reach all the roots, you should be able to go three weeks without watering.  There are some common sense things you should do to prevent runoff like not watering the street or your driveway, but nothing is better for the environment than eliminating the need to water at all.

To wrap things up, lawns represent a vital part of our natural ecosystem.  They serve functions that are vital to wildlife and nature as well as our nature as human beings.  As long as we take nature’s cues on when to use them and don’t try to grow them where they don’t belong or want to be there is nothing unnatural about them at all.  What is unnatural is what we have been doing to them.

There is a dirty little secret in the gardening business that there are three things someone will spend 500 times what they spent on the plant on the supplies to grow them:  tomatoes, roses, and grass.  Next time you are in a garden center or big box store, look around and see what they have dedicated their space to.  Successful gardening is about getting plants to grow for us so we can focus on finding, growing and new plants.  If a lawn doesn’t do more to take care of the space it occupies either you are doing too much for it, or it shouldn’t be there in the first place.  There are natural uses and needs for lawns, we just have to take nature’s cues and think naturally about what we do with them.

Whenever I start talking about landscaping with nature people start to get all squeamish and think “Oh no…another weedy looking woodland garden.  Don’t get me wrong, I love a good woodland garden.  Real ones hardly even require planting.  What I am talking about is using nature as your guide in design.  I have been designing landscapes for over 20 years now, and the last five I have been blessed to do most of my work in the nature of the Southern Appalachians.  However, before that I spent fifteen years designing several hundred gardens in the heart of the city and the heat and cold of the Midwest.  Even in the most unnatural of places I learned that the more you emulate nature, the more beautiful things will be and the easier they will be to take care of.  After all, nature is beautiful and it does a good job of taking care of itself if we don’t screw it up.

There are some key things that nature does itself that when you look at the greatest of landscapes you will always find.  I could never squeeze everything into one post, but there are some key things that if approached from the outset will make the rest fall in place.  If we take nature’s lead on how it designs and plants its gardens we are bound to succeed and it is bound to be beautiful.  What I will explore are the main aspects of landscapes, how nature creates them and how we can emulate them.

The first thing that nature lays out in a landscape is the flow.  To understand this we have to understand that in nature and in the landscape it is the water that determines flow.  Where the water goes in nature so does the wildlife.  The migratory patterns of the birds and the animals are all tied to the water and their need to get to it.  In the garden it is people that flow, as well as the birds and animals that visit…including our dogs.  I like to make my paths and walking areas follow the drainage in the garden.  In high traffic areas I will make stone paths or place stepping stones inter-planted with “steppable” plants or ground covers.  In open areas, if I have grass at all, I will take water across it as well.  As water creates the valleys and flat areas in nature, doing this in the garden serves the aesthetic need of making the garden look like it was meant to be there.

As for the animals in the landscape people tend to take the easiest possible path, and so does water.  From a practical standpoint, the water won’t washout your beds or puddle and breed mosquitoes.  It will create moisture along the paths were smaller plants that require more water go, and it will dry out other areas for evergreens and shrubs that are more sensitive to water.  Animal migration can also create flow in nature and the garden.  The two most prominent animals in your landscape are dogs and mailmen.  Dogs are like the deer and other animals in the landscape that create migration paths that don’t follow the water.  If  I have a dog in a landscape, I will always leave a little maintenance path behind shrubs along a fence.  This allows them to patrol their landscape and creates airflow behind the shrubs so they don’t die out on one side.  With a privacy fence I also like to leave a small strip of lattice along the bottom to let them see out and increase air flow.  As for mailmen, I can’t remember the last time I did an urban landscape that didn’t have a path for them to go door to door.  Not only does it keep them from trampling the plants, but it gives an excuse to pull down the height of a house with the plantings without adding so many plants it looks unnatural.

Nature has two main types of scenery that you encounter, and so does any good landscape.  Olmstead called these the pastoral and the picturesque.  The pastoral are the wide open sceneries that allow you to get lost in the sunset and your mind to escape.  It brings out the grandness of the landscape.  In urban setting everything is usually boxed in and strictly defined by property lines.  These pastoral scenes don’t often occur naturally so you have to lead the eye to them.  The easiest way to do this is use tall things closer to your gathering areas to screen the neighbors beside you and taper down your heights to the corner where you can see the furthest.  Always make sure that what is in that corner is shorter than what is just behind it outside of your yard and this will lift your eye back up and create that escape.  The tapering of heights to the furthest point will also create a sense of perspective making your space seem larger than it is.

The picturesque are those scenes where your eye gets stuck and you are looking at a space like a framed picture that creates a scene.  In nature this may be a giant boulder you walk up to on a hike.  You get stopped in your tracks then totally engrossed in the lichens, ferns and wild flowers growing from its cracks.  Its becomes like an entirely different world to explore inside of another.  The same can happen in your garden by planting in the cracks of a wall or having a collections of planters or a piece of art on a fence.  Even a planter next to your door where that gutter makes it hard to grow anything else can have the same effect.  One thing to be sure of is to repeat the elements in that planter in the landscape around it.  By splashing a few of the impatiens in the pot on the ground around it, it will tie it into the rest of the landscape.  It will be just like the ferns that grow on that rock that also grow on the ground around it and lead you down the trail and on into the forest.

Plant diversity is crucial to any healthy natural environment and also any good garden or landscape.  Diversity comes in many forms.  What I am going to focus on here is the layers of a landscape and how they are dispersed.  Nature creates this diversity and uses the plants to care for the space and the animals in it.  So should you.  I like to relate the levels of the landscape to music.  Good music has always found its roots in the rhythms of nature and so does any good art, especially a natural one like landscape.

These rhythms come it two forms.  The first rhythm can be found in the layers.  Nature, good gardens and great music all have an upper, middle and lower range.   In nature this is made up of the trees, shrubs, and herbaceous plants.  Neither nature nor a garden is in its complete form without all of these.  The trees provide the canopy and determine the amount of light and moisture hitting the ground, soil type and everything that will grow below it.  The trees create the homes for the animals and the home for everything below it.  Think of them as the ceiling and walls of a room.  Just like nature does, when designing plantings you should always start with the trees because they determine everything else.

The mid range is the shrub layer, and can also include smaller flowering trees.  They provide food for most of the wildlife. They also also create the depth of the landscape, just like midrange creates depth in music.  The shrub layer will do the most to take care of space for you just like it does in nature.  When you come across an thicket of huckleberry in the woods, it always looks perfectly groomed and placed as though it has been meticulously pruned even though man has never touched it.  Besides creating depth in terms of space and layers they also create new spaces to discover behind and around them providing for a sense of discovery and surprise.  This layer is not only rich in space creation.  It is rich in performance as well because these plants provide elaborate flower, berry , fall color and bark shows that create a tapestry of their own.  Not only do they provide the most fodder aesthetically, they also do the most to feed the birds and other wildlife.

The low range is the final layer.  In music it is the base that rolls along, providing the rhythm for everything else and fills the voids of the down times.  In plantings it is the herbaceous layer.  I would hardly consider a tuba or tympani to be similar to a Hosta or Astilbe, but they are.  If played properly they both are a delicate presence in the back ground that emerge and steal the show when everything else is down.  In the garden and nature the perennials quietly hold the ground while the mid range shows off all spring, then they tactfully take their turns showing off their color as the flowers of spring fade away.  Then they roll into a crescendo heading into fall only to step aside for the finale of the trees with fall color.  They are the fabric that holds the ground in place and takes care of the space for you.  Then they give you that little extra right when you need it.

Along with the layers all good music, nature , and gardens have rhythm.   The patterns in all great music, art and gardens can all be traced to those of nature.  The arts and particularly music really exploded in the last century when people stopped trying to create things just for the sake of creating them and started looking for inner meaning.  The rhythms of  jazz embody this and the greatest artistic nod to nature of all has to be syncopation.  When gardeners realize that everything doesn’t have to spaced in 4/4 (formally and perfectly symmetrical) that is when their lives get easier, and much richer.  Trying to make a garden embody a rigid structure is like trying to make a marching band embody dance.  It is next to impossible and everything has to be completely lined up all the time.  It is even worse in a garden because  it is even harder to make a plant do what you want than a teenager.

Plants need to be spaced to move you through the garden like the rhythm in music.  Then they will move you through the garden like music moves your feet.  Syncopate it…Put the weight of plants in one place to provide structure where you need it, but then repeat it tapering off in the direction you want the eye to move.  If you plant five in one place, plant three a little bit over from there and maybe more even a little further over.  This is how nature does it and it will intrinsically add depth to the aesthetics of your garden, and the movement to keep it interesting.

Nature doesn’t plant in intertwining plant sausages so why should be.  Think of the sausage method like the landscape at McDonald’s, it may be showy, but it has about as much depth as the food they are trying to sell.  I would much rather sit down to four hours of French cuisine with depth and rhythm that feeds my soul as well as my body.  Nature doesn’t plant its flowers in blocks of 300 only to be ripped out and replaced three times a year.  It plants them where the weeds would grow to take care of the space so they can dance with one other and the other plants in the forest to provide the richest show possible.  Out of the symbiotic relationships the ecosystem creates to grow emerges an equally complex combination of  outright beauty.

I could go into many other areas where nature is the best guide.  You could use materials that are native to your region.  Be it plant or rocks this always provides a sense of cohesiveness.  There are all kinds of great cues to follow when using water in the garden.  However, what I wanted to do here was help you learn to take your cues from the world around you.  Draw from not only from what makes nature beautiful, but what makes it work, and let it guide you in your own garden or artistic endeavors.  We have to quit creating gardens for the sake for feeding them, and start creating them to feed our souls and the world around us.  Most importantly when nature has created them for us, we need to quit screwing them up.

It’s that time of year again.  I’ve cleaned out the tube bird feeders, hung a couple new suet feeders, and I have already had on ripped down by the bear.  I always like to wait until winter is really coming to start feeding.  Primarily because I like to let the birds “Free Range” on wild flower seeds and the summer fruits and berries in the garden.  I like the thought of them helping with the natural cycle of scarifying and dispersing the seeds the way nature intended.  I also like not having the bears visit everyday, especially with my daughter playing outside by herself all summer.  This is a luxury we have living on a rural mountainside that we didn’t have on an urban street corner.  Not that the bears are the threat that some of our neighbors were.  They are more akin to urban raccoons that scavenge their way around on garbage day and pilfer your bird feeders.

Being in a natural setting is a blessing in so many ways, but one of the greatest is the flora for the fauna that already exists naturally. There are hoards of native shrubs that adorn our woods and one of the reasons is that the birds love them so much and help to spread their seed.  This time of year really makes me appreciate where we are, but it also reminds me of our urban garden where we worked to bring native varieties into the garden to bring the birds with them.  One of our prouder moments was when are daughter chose “peepepper” as one of her first words.  He was the first neighbor we got to know on the mountain.  He lived in the four story highrise in the woods next door that largely resembles a dead white pine.  Of course his name eventually evolved to woodpecker, and now she boast a better knowledge of the neighbirds than myself.  Of course this started with books, but my wife’s iBird app has helped as well.

So as I see the return of the flocks, I have been wanting to spread the joy of the season and share a list of plants that would help bring some good neighbirds to you.  I am going to limit this list to natives that transfer well to an urban setting.  However, there are plenty of hybrids and commercial varieties that do the job too.  I thought I would start here because I like to save those varieties for places where natives just won’t grow.  Going native first is one of the first rules of sustainability.  What I have chosen are the five palnt families (Genus) with the widest selection of bird friendly varieties I could find.  This is by no means an exhaustive list, but it should give you a great place to start with your plant and bird searches. 

Pinus (Pine):  There are dozens of native pines that make great trees for birds.  Pinus Strobus (Eastern White Pine) is the most commonly planted in the United States, but for smaller varieties in residential gardens some other native options include Pinus aristata (Bristlecone Pine), Pinus banksiana (Jack Pine),  Pinus Bugeana (Lacebark Pine), Pinus Resinosa (Red Pine), and Pinus monophylla (Pinyon Pine).  These pines are all more moderate in size than the White Pine, but still maintain a natural feel in a formal landscape.  This makes them ideal for urban or residential situations. 

Pines provide food for birds  in a variety of ways.  The cones of pines open to release as many as 12,000 seeds per pound, usually in winter when the other smaller seeds of wildflowers have been eaten.  The bark also harbors lots of insects that make it a favorite for woodpeckers. As the interior branches shed they provide copious amounts of small twigs and needles to build nests, and their evergreen needles provide protections from the cold winter winds.

Juniperus (Juniper):  Juniperus communis (Common Juniper), Juniperus monosperma (Oneseed Juniper), Juniperus occidentalis (Western Juniper), Juniperus scopularum (Rocky Mountain Juniper) and Juniperus virginiana (Eastern Red Cedar) are the most common native varieties in the continental United States.  Between these five you can find a native Juniper almost anywhere in North America.  All of these varieties have been cultivated into varieties for landscape use that can be safely used without worrying about reseeding invasive offspring.  If seed stock does emerge it will come out as one of the native varieties.  There are some hybridized varieties that could revert to something else, so if trying to stay native stick to cultivated or native varieties only.  

Junipers produce berries throughout summer, winter, and fall that provide a great source of food.  They also have a nice evergreen shell that provides protection from the wind.  Junipers provide great cover from prey. As the growth on the interior of the plant sheds it dries and stays in place becoming extremely prickly.  This makes it less desirable for thin furred animals such opossum and weasels to come after the nests.

Viburnums:  Viburnums are a favorite of landscape designers because they are extremely hardy  They also produce nice flowers, foliage and berries and provide some great fall color.  Some are even evergreen, and the flowers are often extremely fragrant.  However, they are usually somewhat of an unknown to beginning gardeners or casual retail nursery shoppers.  Native species include Viburnum dentatum (Chicago Luster Viburnum), Viburnum prunifolium (Blackhaw Viburnum), Viburnum rufidulum (Rusty Blackhaw Viburnum), and Viburnum trilobum (American Cranberry Viburnum),  All of these plants have abundant flowers and berries and can be kept as large shrubs or small trees in any landscape.  The birds love them for the berries and their height is achieved with fairly small horizontal branches that are great for perching but don’t hold the weight of predators making them a nice place for birds to hang out.  There are also many cultivated and hybridized non-native varieties that are not invasive.  If for some reason a native option doesn’t work for you, I would not hesitate to explore those options.

Cornus (Dogwood):  Everyone thinks of Dogwoods as the spring flowering tree, however they also come in some naturalizing and shrub forms as well.  Cornus florida (Flowering Dogwood) is a sentimental favorite for gardeners with the pink and white flowers at Easterand red berries in the fall.  However Cornus racemosa (Gray Dogwood) makes a great naturalizing thicket of about 12-15 feet and produces a nice white flower in May and June and a waxy white berry birds love.  Other varieties include Cornus alternifolia (Pagoda Dogwood), Cornus drummundii (Rough-leaved Dogwood), Cornus nuttallii (Pacific Dogwood), and Cornus sericea (Red Twig Dogwood).  The Rough-leaved and Red Twig Dogwoods provide a shrub form and the red twigs provide great winter interest.  All of these plants have wonderful landscape value, as well as make great naturalizers.  They all have reliable berries for the birds, provide nesting habitat, and add aesthetic value to add to any garden.

Prunus (Cherry):  The Prunus (Cherry) family covers more than the cherries we eat or the flowering trees we see in spring.  There several shrub forms and not as showy trees that can add subtle accents to the landscape, as well as habitat and fodder for birds.  Prunus virginiana (Chokecherry) comes in several forms and varieties and is a great alternative to some of the hybrid and grafted tree-form varieties.  Prunus caroliniana (Carolina Cherrylaurel) and its Asian counterpart Prunus lauroceasus (Cherry Laurel) make great evergreen shrubs, providing both protection and berries as well as a nice evergreen foliage for the landscape.  Prunuis subhirtella (Weeping cherry) is a nice pink flowering native that drops small berries mid summer. Prunus besseyi (Sand Cherry) is a great naturalizing shrub with small white flowers and black berries that are low enough to provide fodder for foraging birds like pheasant and turkey.  Finally, Prunus americana (Wild Plum) is probably one of the most common fruit bearing trees and can be found in almost all states east of the Rockies.  Of course there are other varieties as well, but as a family, Prunus may provide more food for the birds this continent than any other plant family.

There are countless other plants and plant families that I could include in this list, and look for more to come.  For now, these families provide the most variety in terms of native trees and shrubs to bring in birds, and they adapt well to the urban and residential landscape.  All of these plants look great, when used in the right place at the right time.  But when it comes down to it nothing brings out the beauty of a plant better than when it gets to do what it was born to do….be a part of nature. 

Of course, all of the trees and shrubs profiled in this post may be found in Botany Buddy’s Tree and Shrub Finder for the iPhone and iPod Touch.